‘When somebody sees something and experiences it - that’s when art happens’ (Hans-Peter Feldman) If photography is an event then looking...

Select an image by any photographer of your choice and take a photograph in response to it. You can respond in any way you like to the...

Make a Google Images search for ‘landscape’, ‘portrait’, or any ordinary subject such as ‘apple’ or ‘sunset’. Add a screengrab of a...

Use a combination of quality, contrast, direction and colour to light an object in order to reveal its form. For this exercise, we...

Capture ‘the beauty of artificial light’ in a short sequence of shots (‘beauty’ is, of course, a subjective term). The correct white...

Taking the photography of Mann, Atget or Schmidt or a photographer of your own choosing as your starting point, shoot a number of...

'If you are not willing to see more than is visible, you won't see anything’ Ruth Bernhard (1902-2006) Alberto Giacometti had already...

Start by doing your own research into some of the artists discussed above. Then, using slow shutter speeds, the multiple exposure...

Start by doing some of your own research into the photographers discussed above. Then, using fast shutter speeds, try to isolate a frozen...

Find a subject in front of a background with depth. Take a very close viewpoint and zoom in; you’ll need to be aware of the minimum...

Find a location with good light for a portrait shot. Place your subject some distance in front of a simple background and select a wide...

Does zooming in from a fixed viewpoint change the appearance of things? If you enlarge and compare individual elements within the first...

Find a scene that has depth. From a fixed position, take a sequence of five or six shots at different focal lengths without changing your...

The final exercise of this project makes use of the viewfinder grid display of a digital camera. This function projects a grid onto the...

Brief Make a series of six to twelve photographs in response to the concept of ‘The Square Mile’. Use this as an opportunity to take a...

Begin by reflecting upon the sorts of projects, exercises and assignments you have enjoyed most: ● Do you enjoy the creative freedom of...

In this exercise you can use any images created elsewhere in the course, to print onto the paper samples you collected earlier Active...

Adrian Pipes’ On Press chapter, from his 2009 Production for Graphic Designers manual, provides a thorough overview of the print process,...

However you plan to work in the production of your book, spend some time now planning your workflow, using the notes above as a guide....

Working with the outlined publishing models, identify the various roles you (and potentially others) will be undertaking for assignment...